Monday, October 31, 2011

Happy Flowers
"Razors in My Apple"

Sorry, sorry, sorry!

I know I posted a song by this band just last week, but, well, I've not been able to think of any other Halloween-releated songs by LGBT folk and/or bands!

:'-(

This litle ditty was from their second 7" EP, and was one of the first of their songs to feature actual percussion . . . of a sort. Mr. Anus played two cookie tins with contact mics taped to them. As with the other Happy Flowers song I posted, it was improvised live in the studio with no overdubbing or mixing afterward.

Sunday, October 30, 2011

Dead Fingers Talk
"Nobody Loves You When You're Old and Gay"

I'd been aware of this band for many years when I read Naked Lunch in 1991. One of the many things that jumped out at me was all the band names and song titles therein.

There it was, near the top of page 199 of my copy: "Only dead fingers talk in braille. . . ."

Seven or eight years later, my friend Aaron was thinning his record collection a bit while I was visiting. He offered me his copy of Storm the Reality Studios, and I excitedly took it. From what I'd read, they were one of the few punk/new wave bands that sang about gay life in the mid/late-1970s (the only other one I know of was the Tom Robinson Band, and DFT were far better, in my opinion). Other than that, I knew nothing about them. As it turned out, the album is fantastic!

Like many other bands of the mid/late-70s punk era, their formation pre-dated 1976 by quite a stretch. The core of the band started playing together in the band Bone in 1969! This probably accounts for the obvious Lou Reed and David Bowie influences, as opposed to, say, Iggy and the Stooges and/or the MC5.

Though lead singer/primary songwriter Bobo Phoenix wrote and sang about gay life, guitarist Jeff Parsons says in the liner notes to the (absolutely essential) 2000 CD reissue:

None of the band were gay, but there was a sense of relating to those who were out of society's norm. It was powerful, and in those days still quite shocking subject and we felt we tapped into something in the minds of our audience who could relate to that.

Bobo was not interviewed for the liner notes, however, so there's no way of knowing for certain if Parsons is correct.

About the aforementioned reissue: It adds both sides of the non-LP "This Crazy World" single, plus another six previously unreleased tunes. Had I made a "favorite reissues" list in 2000, it probably would've been at the top.

Saturday, October 29, 2011

Honor Role
"Swing It / Interlude"

Honor Role
Rictus
LP
(Homestead Records, 1989)

Longer write-up to come . . .

In the meantime, amazing guitarist Pen Rollings came out sometime in the 90s or 00s. When Merge Records released a compilation CD of all Honor Role's releases, this song was the only one omitted, not counting the songs from the split cassette they released with Graven Image in the early 80s, Your Skull Is My Bowl.

Sunday, October 23, 2011

Phil Dooley and his Orchestra
"Can't Do without His Love"

Uh, oh! You either don't have the Flash plug-in installed, or you have it disabled.
Otherwise, there'd be a cute lil' streaming audio player on the left, rather than this message.

Phil Dooley and his Orchestra
Can't Do without His Love
10" single
(Victor, 1932)

In his liner notes to the fun and frisky collection Can't Help Lovin' That Man, (very) openly gay critic Michael Musto wrote:

Listen to this compilation and listen hard honey, because you won't believe your ears. It's not just that it's a bunch of old 20s and 30s love songs directed irrevocably at men; it's that they also happen to be sung by men. The result is a sexually titillating aural felt that staggers the queer imagination.

And why did these musical Don Juans choose to sing such homoerotic odes? Because they felt "that way" with such burning urgency that they just couldn't wait to put their emotions on shellac 78s? No, dear. Because back then, song publishers had such a stranglehold on the popular music industry that you didn't dare tamper with a song lyric—even if you were a guy singing a tune written for a gal. Change the words and they'd cut off your dingaling, and then you could go back to the original words with no problem.

Here's the thing, though: in this instance, the singer wrote the darn song!, so it's not like he was crooning someone else's lascivious lyrics. On top of that, his vocal is quite campy and outrageous, two big hallmarks of gay entertainment. Of course, it's possible that he wrote it for a female singer, but I've not been able to find any evidence that it was ever recorded by anyone else!

I've not been able to turn up much about Phil Dooley other than he wrote and sang this paen to his man. It was originally released under his own name, as you can in the above pic, but was later issued 1n 1977 on a compilation LP on RCA/Bluebird of material by Joe Haymes & His Orchestra. Dooley appears to have been given proper credit there, but when Can't Help Lovin' That Man was released, Haymes somehow became the primary artiste. The Victor release number in the liner notes, 24060, however, matches the image above.


This is another case of me cheating, by the way. I ripped the song from the aforementioned compilation CD. Google turned up precisely one instance of an image for the record, itself: a 10", shellac, 78 rpm disc. That image came from a 2007 eBay auction, where the record sold for $325! Unfortunately, the picture was just the label, so I got super creative and found a full image of another Victor 78 of similar vintage, then pasted the label over the top. I think it looks pretty good.


Important Note for Vegetarian and Vegan Listeners: Shellac is made from the dried excretions of female lac bugs, so do not eat 78s, no matter how tempting they may be!

It should go without saying that Steve Albini is made of meat and also should not be eaten.

Friday, October 21, 2011

Happy Flowers
"Jenny Tried to Kiss Me at Recess"

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Otherwise, there'd be a cute lil' streaming audio player on the left, rather than this message.

The . . . um . . . vocalist on this "tune," Mr. Horribly-Charred-Infant, didn't come out 'til a few years after the band split in mid-1990. This track is probably their gayest, in retrospect.

Random facts:

  • All Happy Flowers songs were recorded live in the studio, with no mixing or overdubbing done afterward. In addition, the majority were improvised on the spot.
  • Mr. HCI is playing bass and guitar at the same time on this song. The bass was strapped on over the guitar, which mostly just provided feedback.
  • Mr. Anus is playing the drums. He does like girls.
  • The song is mostly a true story. In reality, however, Jenny never caught and kissed him, and her name was actually Amanda.