Showing posts with label radio rock. Show all posts
Showing posts with label radio rock. Show all posts

Thursday, December 29, 2011

Ian Lloyd
"One More Chance (Sha La La)"

Ian Lloyd
Ian Lloyd
LP
(Polydor, 1976)

Roughly a fortnight after I became a teenager, I attended my first rock concert. Yes, that's the actual ticket stub from said show! Not long after that show, I started buying records with my own money. My parents had given me a copy of The Beatles' Sgt. Pepper's Lonely Hearts Club Band that they found at a yard sale when I was twelve, but that was the only record I had that wasn't a children's record.

Even during this early phase of record buying, I was already doing the buy-it-'cause-it-looks-interesting-and-it's-cheap thing. I found this Ian Lloyd album at a huge rummage sale held at the same place I'd seen Kiss earlier. I bought it and Slayed? by Slade, who looked a bit thuggish (this was a positive; I wanted loud, tough music); I think they were 25¢ each (the albums, not the members of Slade). I hated the Slade album (love it now, though), but the LLoyd one I listened to a lot. It certainly didn't rock as hard as Kiss (especially not on this track!), but the songs were catchy, and I liked it.

Some time in college, I sold off a ton of records when I was getting heavily into hardcore punk, and this was one of the casualties. A few months ago, I started getting a hankering to hear it again. This urge was partially inspired by my obsession for all things Starz (featured here this past October), as Starz guitarist Richie Ranno had played briefly in Lloyd's pre-solo group Stories before becoming a Star(z), but not on their huge 1973 hit Brother Louie (please, see below). My interest was also piqued 'cause I couldn't even remember what it sounded like!

Looking around town proved fruitless, so I turned to the 'net. It didn't take very long for a sealed copy to appear on eBay for a reasonable price, and off a-bidding I went. When it arrived, the songs sounded only vaguely familiar, but I still liked many of them, lo these many decades later. I debated between a few, and this song kept popping into my head, so here 'tis.

Geez, I even saved the newspaper ad for the above concert! But hey, it was my first (not counting my daddy taking me to see the Jackson 5 when I was eight), and Kiss were the hottest band in the land! A pack rat at an early age . . .

NOTA BENE: Today's entry gets the before they were famous tag, in addition to after, as it was writ by Mick Jones, who played guitar here and not long after shot to megastardom with The Clash Foreigner, whom I never particularly liked (but they were at least more palatable than Boston).

Tuesday, November 1, 2011

Fallen Angels
"The Kid Gets Hot"

Fallen Angels
The Kid Gets Hot
7" promo single
(Arista Records, 1975)

I know what you're all saying, now that LGBT History Month is over; "Hey, Lightning, so Looking Glass eventually evolved into Starz, right? What was the missing link? What transitional fossil can you provide to prove your claim? How do we know Starz didn't just spring, fully-formed from the fingertips of God?"

Well . . . here it is! The second (of two) promo-only singles released by the Fallen Angels way back in 1975 on Arista Records. The first was a cover of "(Just Like) Romeo and Juliet", by the way, except they slyly dropped the parentheses.

First, note the songwriting credits: P. Sweval and M.L. Smith. Those are Pieter Sweval and Michael Lee Smith, respectively. Pieter had been been the bassist (and writer of several songs) of Looking Glass, and Michael was the future vocalist for Starz. Now, you can't tell from this single, but the other members of Fallen Angels were drummer Joe Dube and keyboardist Larry Gonsky, both ex-Looking Glass, and guitarist Brenden Harkin, future Starzer. For historicity's sake, I must divulge that Smith and Harkin were both members of the final line-up of Looking Glass, after vocalist/guitarist Elliot Lurie (the one who wrote and sang their mega-smash hit "Brandy") left to go solo. Gonsky was replaced with a smokin' guitarist named Richie Ranno, Joe added the mysterious middle initial X, and the Fallen Angels became Starz.

I know of at least one Looking Glass single recorded with the final, post-Lurie line-up, but I can't tell you much about it 'cause I only just bought it off eBay a few minutes ago. The A-side is "Highway to Hollywood," written by Gonsky, and the b-side is "Rock This Town," which was later recorded by Starz for a demo in 1975. Maybe I'll post the single after it comes in the mail.

According to an interview that I skimmed an hour or so ago with Starz guitarist Richie Ranno, there were two post-Lurie Looking Glass singles; no info yet on what the other was, sadly.