Showing posts with label choral. Show all posts
Showing posts with label choral. Show all posts

Saturday, January 29, 2011

Krzysztof Penderecki
"Velincanija—Psalom 50"

Krzysztof Penderecki
UTRENJA, The Entombment of Christ
LP
(RCA Records, 1971)


I first (knowingly*) heard the music of Krzysztof Penderecki when a buddy of mine who worked in a record store sold me a used copy of Penderecki Conducts Penderecki Album 2 that they'd just gotten in stock. The first piece, Capriccio for Violin and Orchestra, was probably the most violent sounding bit of classical music I'd yet heard, and I became an immediate fan. That piece (same recording, even), along with several of his most famous, including Threnody for the Victims of Hiroshima, is available on this excellent dbl-disc set on EMI.

Today's piece, however, is the second section of his longform choral work, UTRENJA, The Entombment of Christ. To the best of my knowledge, it has only been recorded three times, and this is the earliest of those. From what I've read on-line, most people consider this to be the finest version, even though the second part, The Resurrection of Christ, was not included. The full work was first released in 1973 as a gorgeous, dbl-LP box set on Philips. I have that, too, but that recording is readily available on CD (albeit with a hideous cover) from the Polish label Polskie Nagrania. The CD is from the late 1980s, though, so the sound quality may just be crap; I honestly do not know. There's also a recent recording available on the budget Naxos label; I have not heard that one, however.


*I later discovered I'd already heard his music in (appropriately) horror films such as The Exorcist and The Shining.

Sunday, September 19, 2010

The ABC Children's Chorus
"These Boots Are Made for Walkin'"

The ABC Children's Chorus
Songs for Children . . . by Children
LP
(ABC-Paramount, 1966)

When I was a kid, I had a little record player, and my parents bought children's records for me. This record, though, was a bit of an oddity. Sure, it was mostly kids singing kids' songs, but then there was this song. What a vindictive song sung to a former lover is doing on a kids' record is beyond me. Perhaps, the liner notes will explain?

Take a dozen energetic youngsters ranging in age from nine to fourteen, match them with a dozen bright familiar songs, and out comes one of the most charmingly lighthearted records you've ever heard!

From the opening note to the last, this first recording by the ABC Children's Chorus bursts with the boundless vitality that only the young possess—and the older than young only remember. As up to date as the latest missile launching, this collection includes the theme song from Batman, the TV series that caught the imagination of children of all ages; and It's Superman, a musical tribute to the superhero whose latest triumph is the starring role in the Broadway musical, It's a Bird...It's a Plane...It's Superman. Another Broadway hit—The King and I—is represented by I Whistle a Happy Tune, and the movie Mary Poppins introduced Chim Chim Cheree. Included also is the chorus's version of two popular hits—These boots Are Made for Walkin' and an unusual rendition of Tijuana Taxi, which has no lyric.

The ABC Children's Chorus consists of five boys and seven girls, who, despite their early achievements in the entertainment world, sing just like your kids would sound if they joined voices with the kids down the block. Enrolled in public schools, junior highs and high schools around the New York City area, these twelve children's ambitions run to show business (I would like to be another Connie Francis. I want to be just like Helen Hayes and Judy Garland. I'd like to be like Gene Kelly, singing and tap dancing), but one would like to be a physicist in nuclear astronautics.

The members of the ABC Children's Chorus have to their individual performing credits numerous Broadway shows (Music Man, Sail Away, Here's Love, The King and I, and Bye Bye Birdie, among others); television appearances (Bell Telephone Hour, Armstrong Circle Theatre, Jonathan Winters Show, Naked City and The Nurses); you've seen some of them in TV commercials; and at least two of the girls have modeled for magazine illustrations and record album jackets. If this professionalism makes them sound less like your own kids—or those next door—don't be fooled. Kids will be kids, and when they get together and sing, they all sound pretty much the same—young and happy, bubbling with energy—and there you have a perfect description of the ABC Children's Chorus.

This album was produced by Richard Wolfe whose varied show business career has encompassed such activities as radio station program director, director and producer of nationwide amateur talent shows, staff writer for Sammy Kaye, musical director for a music publishing firm, president of his own publishing and production companies and a partnership with entertainer Arthur Godfrey in some of the Redhead's musical enterprises. Dick Wolfe is also a highly successful songwriter.

Hmmmmm . . . guess not.

Monday, August 2, 2010

Quartz
"Quartz"

Quartz
Quartz
LP
(Marlin, 1978)

I found this one in the "New Arrivals" bin at my fave local record shop two or three years ago. I knew it couldn't possibly be the NWoBHM* band Quartz, despite never having heard either; it just didn't look like a metal record (it was also from 1978, just a bit too early to be NWoBHM).

It looked worth the risk, so I snatched it.

YES, I PAID FOR IT!

I slapped it on the victola when I arrived home and discovered it was a disco record; the first disco record I'd bought in my life, in fact. Except it sounds like a disco version of Magma. Unfortunately, side two is rather pedestrian disco.

They released a second album, Camel in the City, and it, too, was half really cool and half strictly dullsville.

Yes, this means I now own two disco records; oh, the shame!


*New Wave of British Heavy Metal