Showing posts with label post punk. Show all posts
Showing posts with label post punk. Show all posts

Tuesday, October 23, 2012

Mi Ami
"Ark of the Covenant"

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Ark of the Covenant - Ark of the Covenant - Single

Mi Ami
Ark of the Covenant
12" single
(Lovers Rock, 2008)

Mi Ami are another group I've featured previously on the jukebox, with the title track from their debut 12" EP, African Rhythms. I'd apologize, but . . . no, to heck with it . . . I shan't!

Today's tune is the A side of their second 12" record, Ark of the Covenant (the b-side is a trippy, dubby version). While it might be ever so slightly less frantic than African Rhythms, it's certainly not by much. They're in the spotlight this month as at least one, and possibly all, of them is/are openly gay. They're also just plain fierce.

Since this record was released, there have been some changes. Bassist Jacob Long left the group after the release of two full-length albums and three more 12" records, thereby slimming Mi Ami down to the duo of Damon Palermo and Daniel Martin-McCormick. They still kick up a great, dancey fuss, however, on their two releases since the slimmin': the limited-edition 12" EP Dolphins and their 2012 full-length Decade.

Sunday, February 26, 2012

Mission for Christ
"Nancy Reagan Is a Plastic Bitch"

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Mission for Christ
2 Jews, a Black, a Woman and a Cripple...
cassette
(self-released, 1983)

Politicians sometimes (ok, often) say really stupid stuff. Take former U.S. Secretary of the Interior James Watt, for example. In September of 1983, he decided to jokingly mock Affirmative Action policies by pointing out the wonderful diversity of an advisory panel with whom he was working. He chose to illustrate this by saying the board had, a black . . . a woman, two Jews and a cripple. Of course, that's pretty tame compared to what former U.S. Secretary of Agriculture Earl Butz said in 1976 about a particular segment of the population: I'll tell you what the coloreds want. It's three things: first, a tight pussy; second, loose shoes; and third, a warm place to shit.

The latter was the inspiration for the European title of Alex Chilton's final studio album, Loose Shoes and Tight Pussy. His US record company timidly retitled it Set, however, and replaced the nice cover with a particularly ugly one, to boot.

The first quote above, however, was immortalized in the title of Mission for Christ's 1983 demo tape, 2 Jews, a Black, a Woman and a Cripple... The ugliness of Watt's comment complements the ugliness of the music quite nicely. From what I recall, they had a Black on bass, and the singer may have been Jewish. It's been 25 years, however, so I have no recollection of the guitarist or drummer, though I'm fairly certain neither was a Woman [or] a Cripple.

You'll notice on the typed sticker glued to the cassette case that this song is entited simply Nancy Reagan. Well, when I saw them play it live, it had the much longer title as written above, so I chose it instead. It's my blog; you can't stop me. Please forgive the somewhat spotty sound on this one; it was dubbed on a cheap tape twenty-five years ago. I don't know how many they made, but the sticker being manually typed (please, see above) would seem to suggest not many. Who knows, I may have (politely) harrassed them into selling me the tape. It could be the only copy! I doubt it, though.

Though Mission for Christ were a Washington, D.C. area band, they got little attention, sadly. I went though all of my D.C. 'zines from the period and found precisely one mention of them: a short bit in a review of the Rock Against Reagan preview show at Space II Arcade in 1983. If I remember correctly, they and Maryland's Braille Party were the standouts on that (very long) day. It was summer, it was boiling hot, there was no air conditioning, and the friends I took with me kept whining all day:

  • Who's playing next?
  • When's the next band going to play?
  • Are we there yet?
  • I have to go potty.
  • etc.

Mission for Christ eventually released the song Pennies from Hell as a single, along with the dub version for the b-side. I've always wondered why they did that instead of, perhaps, using Nancy Reagan for the flip? From what I recall, it got good reviews outside of D.C. Sadly, they never released anything else. They do have the distinction, though, of being the only band other than No Trend to be preserved in wax on No Trend Records.

Wednesday, January 11, 2012

Sara Goes Pop
"Sexy Terrorist"

Sara Goes Pop
Sara Goes Pop
2 x 7" EP
(It's War Boys, 1982)

Poor Sara! I hope popping didn't hurt too much. This was the only Sara Goes Pop record, to the best of my knowledge, so I'm guessing all the king's horses and all the king's men couldn't put Sara together again. Pity the king didn't think to have any, say, surgeons.

Whenever I hear this song, I picture Jack Wild singing it. I do my best to not think about his creepy talking flute, though.

Yes, I loved H.R. Pufnstuf when I was a wee bairn.

Sid and Marty Krofft were the kings of hallucinogenic children's TV back in the 60s and 70s. I watched all their shows, even Sigmund and the Sea Monsters. That one was a bit of a challenge, however, since they chose to cast in the lead role the most horrible boy on TV: Johnny Whitaker, prince of the wussies.

The best Sid and Marty Krofft show, of course, was Land of the Lost. Sleestaks rule!

Saturday, October 29, 2011

Honor Role
"Swing It / Interlude"

Honor Role
Rictus
LP
(Homestead Records, 1989)

Longer write-up to come . . .

In the meantime, amazing guitarist Pen Rollings came out sometime in the 90s or 00s. When Merge Records released a compilation CD of all Honor Role's releases, this song was the only one omitted, not counting the songs from the split cassette they released with Graven Image in the early 80s, Your Skull Is My Bowl.

Wednesday, October 5, 2011

Kitchens of Distinction
"The Last Gasp Death Shuffle"

Kitchens of Distinction
The Last Gasp Death Shuffle
7" single
(Gold Rush Records, 1987)


I've featured Kitchens of Distinction before, but neglected to mention (as it was not relevant to that post) that leader Patrick Fitzgerald is openly gay. I remember when we got their debut LP, Love Is Hell, at my college radio station; there were drawings of naked men on the cover! I was only just in the midst of admitting to myself that I might not be straight, and that was more than I was prepared to handle; I never even listened to it.

v_v

When their next album, Strange Free World, arrived, however, I did listen, and it took roughly one listen for me to fall in love with it. I often disregard lyrics in music, but Fitzgerald's were far too powerful to miss, and guitarist Julian Swales's, uh, guitar is absolutely enveloping. Today's selection is their debut single, released on the tiny Gold Rush Records imprint. It's rather a bit more post-punk than their later sound, and nowhere near as polished, but it's every bit as insistent.

Tuesday, September 13, 2011

7 or 8 Worm Hearts
"Shack of Hate"

7 or 8 Worm Hearts
All Writhe
cassette
(self-released, 1989)


What is it with my blog and bizarre coincidences lately?

I was on the phone with my friend James on Sunday, right? And he mentioned that Glenn Jones and his (James's) band had played a show the night before. We got to talking about this and he mentioned that Jones had been in a band with Phil Milstein when James moved to the Boston area in the late 80s, and they'd released a cassette. "I think I have that!" says I. So, I went to the shelf and pulled down my copy of the source of today's song to confirm band membership. "7 or 8 Worm Hearts?" asked I. "That's it!" confirmed James.

Why is this a coincidence? Well, I'd already ripped said tape to a wav file for use on this here blogger device; I just hadn't yet picked a song. So, without further ado, I present "Shack of Hate" by 7 or 8 Worm Hearts (not to be confused with the also great song of the same title by White Zombie on their 1987 debut LP, Soul Crusher).

Wednesday, June 29, 2011

3 Teens Kill 4
"Tell Me Something Good"

3 Teens Kill 4
No Motive
LP
(L'Invitation au Suicide, 1984)


I can't think of what to write. I love the song, but I'm not inspired at all. This post has been sitting here for days waiting for me to finish it, though, so, here it is.

Wednesday, May 11, 2011

The Spectre's Revenge
"No Moon at Midnight"

The Spectre's Revenge
No Moon at Midnight
7" single
(Au-go-go Records, 1985)


Back in the 1980's, when the Internet was still operated by hand-crank, and no one could really afford it, mailorder was done via printed-and-mailed catalogues and phone calls. I know; weird, right? A group of friends and myself used to place huge orders with Au-go-go Records on the other side of the planet, in Australia. I'd make the call, when the rates went down at two a.m., and around two months later, our order would show up at my PO box (airmail was prohibitively expensive, at the time). Whenever I'd call in our order, I'd ask if there was anything they recommended. One of those times, I ended up with this snazzy lil' single by The Spectre's Revenge. I wish I knew more about them, but I do not; other than they also released a (live?) cassette which Au-go-go Records never seemed to get back in stock, much to my chagrin.

Friday, February 4, 2011

Rip Rig & Panic
"Go, Go, Go! (This Is It)"

Rip Rig & Panic
Go, Go, Go! (This Is It)
7" single
(Virgin Records, 1981)


Today's song is the debut single by Rip Rig & Panic, who became Rip Rig + Panic by the time of their next single, "Bob Hope Takes Risks," hence the née tag. RRP featured Gareth Sager and Bruce Smith, both formerly of The Pop Group, and vocalist Neneh Cherry, daughter of free jazz trumpeter Don Cherry I've got only the first two of their albums, God and I Am Cold, plus some singles, and they're all killer. Skronky jazz horns, funky bass, sheet metal guitar, etc. I only don't have their third album, Attitude, because I have yet to see a copy for sale.

Tuesday, December 14, 2010

The Membranes
"Get a Head"

The Membranes
Crack House
12" EP
(Criminal Damage Records, 1983)


A lot of bands start out noisy and become less so as time passes; Einstürzende Neubauten are a good example of this. Some start out relatively tame and get progressively uglier and nastier, like The Birthday Party. The Membranes, however, took a rather different route. They started on the more sedate end of punk, got noisier, got way noisier, mellowed out again, started to get noisy again, got really noisy, broke up. Weird, huh? Crack House was the bridge between the first "nice" era and the advent of the noise. A few records later, they ditched the The at the front.

Saturday, October 2, 2010

Wards
"Weapon Factory"

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Back in the early/mid-1980s, hardcore was spreading all over the USA, wherever there were angry teens and twenty-somethings (and olders) with access to musical instruments and electricity. I made it a goal, of sorts, to collect stuff from every state. There were the big hotspots, of course, like Los Angeles, Washington, D.C. and Boston, but it also seemed like almost every state had at least one band with a tape or a record out. For Vermont, that band was Wards.

This lil' EP, pressed on pretty, transparent, blue vinyl was their debut, and Weapon Factory has always been my favorite track on it. They released a second 7" EP then disappeared from view. Well, my view, at least, as, according to their MySpace, they've been around the whole time. I think.

Monday, September 27, 2010

Belfegore
"Tod durch die Blume"

So, like, this post was already scheduled for today, but I hadn't done the little write-up yet. So what does one of my fellow blogger buddies do? He makes the whole dang album his feature for yesterday! THE NERVE!

This song, however, does not appear in his post, other than as a mention. HA!

So, anyhow, we got Belfegore's second, eponymous album at my college radio station, and I dug it. The single, All That I Wanted, sounded like Killing Joke ripping off The Stooges' TV Eye. On top of that, it had a video that I thought was actually pretty cool and unsettling (please, see below) (unless you're blind, that is) (or your monitor isn't working) (or you're just stupid) (or you're trying to deliberately hurt my feelings) (meanie).

So, my buddy Mike did some checking and found out they'd released an LP, a 7" EP, and a 12" single prior to the eponymous album. Of course, this meant that I had to purchase all three. While I think the second album is stronger, overall, A Dog Is Born definitely has some worthy material. Like . . . today's song!

^_^

Tuesday, September 21, 2010

Orthotonics
"Grease & Flowers"

Orthotonics
Wake Up You Must Remember
LP
(Generic Records, 1984)

Man, I HATED the Orthos the first time I saw them. Of course, being on a bill with Minor Threat, Government Issue and the Velvet Monkeys left them odd man out, as the VMs at least rocked, even if not as aggressively as the hardcore bands on the bill. The Orthotonics, however, were this arty, dancey crap that I wanted to end . . . immediately!

Seeing as they were from Richmond, a scant hour's drive from where I went to college, I ended up seeing them a number of times. Eventually, they grew on me. A lot. Clotramazole was no help.

This song is from their vinyl debut album (it was preceded by a cassette album, Accessible as Gravity, and a 7" single of Doo Doo Cars), which they recorded as a quintet. They slimmed to a trio (keyboards/guitar, saxophone, percussion) a bit later and released one more album, Luminous Bipeds, before splitting. The last time I saw them, they were playing a lot of fantastic, new material. It's a pity those songs never became available to the record buying public (i.e., ME).

In my opinion, the Orthotonics and Honor Role were the two best bands ever out of Richmond, VA. Not to slight Axehandle, of course.

Tuesday, August 31, 2010

Mi Ami
"African Rhythms" 

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I found Mi Ami's first album, Watersports, in a bargain bin. The cover photo of what looked like a gay Mummers' parade caught my eye, so I bought it. I loved it! It became one of my favorite albums of 2009, in fact. They strike me as a cross between the avant garde punk funk of The Pop Group and ___________________.

I did some research and found that, at that point in time, there were five 12" singles and EPs, in addition to the killer full-length. I found the two more recent than the album (Techno 1.1 and Cut Men) at a local record store, the third (Echononecho) at Amazon for a super cheap price, and the second 12" (Ark of the Covenant) at Goner Records' on-line shop, of all places. Their debut, however, eluded me. The fact tht it was a limited pressing of 400 copies didn't help, either!

I happened to mention on a message board that I was looking for it. A friend involved in independent music distribution read my post, and stuck a copy in a box he was putting together to ship to my favorite local record store that very day! So, here's the title track, in all its glory. Enjoy!

Sunday, August 29, 2010

Thule
 "Springtime (Etched in Ice)" 

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Thule
La jamais contente
12" EP
(Wiiija Records, 1989)

One of the advantages of dating a concert promoter is getting free stuff. In the year we were together, I discovered several cool things just by looking through piles of records from bands that wanted to tour. Groups like Caspar Brötzmann Massaker (Petey's kid), Toby Dammit (a Dutch band, not the current one), Death by Milkfloat, etc. and Thule. I never heard anything else by them, but I love this 12" EP. They did get the album that followed at my local record store, but it was super expensive, so I never bought it.

v_v

Saturday, August 21, 2010

Sluggo
 "Of It" 

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Sluggo
Contradiction
7" EP
(Shag Dog Records, 1983)

Cincinatti, Ohio's Sluggo's claim to fame was their ages. Singer Julian was the baby of the group, at 14, and drummer Andrew was the geriatric, still pounding the skins at the advanced age of 17. The lyrics to this little gem were written by 16-year-old bassist Karl, who penned the words to 75% of the tunes on this platter. Julian and Chris [see below] each wrote one, and Andrew let his sticks do the talking. The aforementioned Chris rounded out the ensemble on the electric, six-stringed twanger, and fit between Julian and Karl (i.e., he was 15). The majority of this lil' EP is pretty good, early/mid-80's hardcore, but this song stands out, and I've always dug it.

Friday, August 20, 2010

Gods Gift
"925"

Gods Gift
Gods Gift
7" EP
(Newmarket Records, 1979)

We got Gods Gift's single Discipline at my college radio station back in the early 1980s. It was a big, thick slice of post punk, with chanted vocals and ugly fuzz guitar built on a bed of repetitious, throbbing groove, and I loved it. On the back, there was a note that it was their third record, but no info on the first two.

Fast forward to the days of the internet and search engines, and, after considerable effort and time, I finally managed to track down the second record, a four song 12" EP, and their debut, a self-released three song 7" EP. Today's song is the b-side of that first 7".

Last year, Messthetics released a cool compilation of stuff by Gods Gift called Pathology. Material from all three records, plus stuff from two cassettes I didn't even know about, is included. Today's song, however, is one of the ones left off. So, here you go!

Monday, August 16, 2010

Einstürzende Neubauten
 "Kollaps" 

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Einstürzende Neubauten
Das Abendprogramm
compilation LP
(Riskant, 1982)

OK, not so obscure this time 'round. On the other hand, this exclusive compilation track has never been reissued anywhere else, and this live version of "Kollaps" is rather different from the studio version on their debut LP, also called Kollaps. Enjoy!

Monday, August 9, 2010

Phonogenix
 "Hymns for Savannah" 

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Phonogenix
Hymns for Savannah
12" EP
(Eastern Works, 1984)

I picked this up because I'm a big fan of Masashi Kitamura, best known for leading the prog/post-punk band YBO². I'll likely be posting stuff by them at some point, in addition to his other groups Canis Lupus, Differance and The Spectremen.